A Cast of 6 ACTORS. 3 actors will play multiple roles.
**Any potentially indicated genders are flexible**
**ALL roles are open to all genders and ages**
Ben Franklin, 70s, male, white – The iconic American inventor, scientist, and diplomat, portrayed as a wise but cranky elder statesman with a passion for experimentation and the scientific method, suffering from gout (which causes comedic physical limitations, like limping or thumping his foot dramatically). He has a dry wit, sings softly under his breath, and interacts with the audience subtly. Physical requirements: Comfortable portraying age-related ailments (e.g., gout pain). Ideal for an actor with strong comedic presence and improvisational skills to convey intellectual curiosity amid chaos.
Sarah, 12, female, BIPOC – Ben Franklin’s spirited, curious niece, eager to learn but frustrated by gender norms that exclude her from adventures. She’s playful and persistent, representing youthful wonder and skepticism. She’s energetic, physically active with a youthful energy, ability to sing imperfectly and comically; no specific dance skills needed, but comfort with physical comedy. Ideal for a young actor or young adult with strong timing for banter.
Dr. Franz Mesmer, 40s – The charismatic, flamboyant “healer” at the center of the mystery, whose dramatic treatments “cure” patients through what appears to be magnetism or hypnosis. Mesmer is a showman with diva-like flair, striking poses, commanding attention, and flourishing exits. He’s confident and mysterious. Physical requirements: Expressive physicality for dramatic poses; ability to engage audiences directly, grandiose, theatrical accent (perhaps Austrian-influenced, as historically accurate) Ideal for an actor with magnetic stage presence, improv skills, and a knack for over-the-top comedy without veering into caricature.
ALL ENSEMBLE ROLES – Require quick changes, physical comedy, and seamless transitions. Ensemble members play upper-middle-class French citizens in the pre-show. They embody the play’s chaos by switching roles mid-scene, sometimes intentionally fumbling props for laughs.
Ensemble 1 (Charles (assistant to Mesmer), Servant, Doctor, Crowd, Patient) – A nimble, supportive track focused on assisting and reacting. As Charles, Mesmer’s young assistant: Eager, loyal, energetic and precise. As a Servant, efficient and apron-clad; as a Doctor, lab-coated and skeptical; as Crowd/Patient, part of frenzied groups reacting with ad-libs. Physical requirements: Quick prop handling (e.g., aprons, lab coats); group physicality in crowds, ability to put on a French accent. Ideal for an actor with strong ensemble skills and comedic timing.
Ensemble 2 (Marie (the Queen), Servant, Doctor, Crowd, Patient) – Regal yet chaotic track with diva energy. As Marie Antoinette (the Queen): Teenage-like (historically 20s-30s but portrayed as a “teen queen”), frivolous and dramatic, with absurd wig(s). As Servant, apron-wearing and dutiful; as a Doctor, analytical in a lab coat; as Crowd/Patient, expressive in group scenes. Physical requirements: Handling elaborate wigs; physical comedy in quick changes. Vocal style: Exaggerated, high-pitched French accent with royal flair. Ideal for an actor who can balance farce with poise.
Ensemble 3 (King, Doctor, Crowd Patient) – An authoritative track with leadership vibes. As the King: A “diva king” who’s demanding and sarcastic. In other roles: As a Doctor, lab-coated and professional; as Crowd/Patient, reactive in ensembles. Physical requirements: Commanding presence; group movement. Vocal style: Booming, regal French accent with sarcasm. Ideal for an actor with strong vocal projection and versatility.